Peter Morin is a grandson of Tahltan Ancestor Artists. Morin’s artistic offerings can be organized around four themes: articulating Land/Knowing, articulating Indigenous Grief/Loss, articulating Community Knowing, and understanding the Creative Agency/Power of the Indigenous body. The work takes place in galleries, in community, in collaboration, and on the land. All of the work is informed by dreams, Ancestors, Family members, and Performance Art as a Research Methodology. Morin began art school in 1997, completing his Bachelor of Fine Arts at Emily Carr Institute of Art and Design in Vancouver in 2001 and his Masters in Fine Arts in 2010 at the University of British Columbia-Okanagan. Initially trained in lithography, Morin’s artistic practice moves from Printmaking to Poetry to Beadwork to Installation to Drum Making to Performance Art. Peter is the son of Janelle Creyke (Crow Clan, Tahltan Nation) and Pierre Morin (Quebecois). Throughout his exhibition and making history, Morin has focused upon his matrilineal inheritances in homage to the matriarchal structuring of the Tahltan Nation, and prioritizes Cross-Ancestral collaborations. Morin was longlisted for the Brink and Sobey Awards, in 2013 and 2014, respectively. In 2016, Morin received the Hnatyshyn Foundation Award for Outstanding Achievement by a Canadian Mid-Career Artist. Peter Morin currently holds a tenured appointment in the Faculty of Arts at the Ontario College of Art and Design University in Toronto, and is the Graduate Program Director of the Interdisciplinary Master’s in Art, Media and Design program at OCADU.
Peter Morin is a participating artist in a series of RML publications expected to be completed in 2024.