Title: Hanafuda 花札 (Flower Cards)
Author: Candie Tanaka
Series: Undercurrents and Flows
Host Artists (series editors): Lois Klassen and Deanne Achong
Designer: Aaniya Asrani
Book Binder: Ruby Lewis
Printer: MET Fine Printers Inc. (cards); Copies Plus (booklet, playing guide, and envelope)
Date: 2024
Pages: 36 page booklet; 12 suite cards, instruction sheet
Language: English, Japanese
Envelope Dimensions: 4.25″ (106 mm) x 5.5″ (141 mm) x .13″ (4 mm)
Binding: Single hand sewn signature with 48 Hanafuda game cards (to be cut out from 12 suite cards), and folded game playing instructions in a reusable envelope with coloured sticker closure.
Edition: 200
ISBN: 978-1-988895-36-9
Copyright : Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0 ) License). Content copyrights remain with listed contributors.
Print copies are freely available through mail art exchanges, in person exchanges, and at cost to public institutions or mutual aid organizations. Contact lightfactorypublications@gmail.com for more information.
This publication contains a full colour set of 48 hand-illustrated Hanafuda Karuta (Japanese playing cards) with game-playing instructions. The accompanying essay outlines the history of Hanafuda card games and the importance of game playing as a vital practice linking diasporic families with their cultural identities, and with community. From Tanaka’s essay,
What I find most interesting with card games is how the intimacy that new migrants seek can be found in the closeness of sitting around the table communally, and in the physicality of the way hands are dealt. The next part of the game involves strategy, but many times the goal of winning is an afterthought. It’s more about sitting in the company of friends, family, or strangers where there is sometimes silence, sometimes discussion, but what seems to be of the utmost importance is to know that you are not alone…”
This publication would not have been possible without funding and support from BC Arts Council (Individual Arts Award); Canada Council for the Arts (Research Creation, Explore and Create grant); SSHRC Postdoctoral Fellowship at Critical Media Art Studio (cMAS), School of Interactive Art and Technology, SFU; Centre for Inter-Media Arts and Decolonial Expression (CiMADE), NSCAD and Canada Research Chairs Program; and SITE/ation Studio, UBCO.